Principessa in Adriana Lecouvreur

Houston Press

"...As Adriana's jealous rival, the Principessa, Perri Montané heats up the stage with luxurious sound. ..."

Orlofsky in Die Fledermaus

St. Petersburg Times

"...Perri Montané's mad Prince Orlofsky was a perfectly droll party host. ..."

Dorabella in Cosi fan tutte

Atlanta Journal Constitution

“…Perri Montané produced plummy, warm tones as Dorabella. …”

Maddalena in Rigoletto

The Roanoke Times

“…Perri Montané was a delight as the lewd Maddalena. This role was probably too small for her, but nevertheless she gave it everything she had. Her Maddalena was bawdy, funny and downright erotic. …”

Tolomeo in Giulio Cesare

Times Herald-Record (Middletown, NY)

"…As Tolomeo, Perri Montané provided depth of understanding and animated singing. …"

Tisbe in La Cenerentola

Pioneer Press (IL)

"…Beyond her beautiful voice, her portrayal of Tisbe is a comic delight."

Carmen

Bartow Herald-Tribune (Cartersville, GA)

"…Perri Montané as Carmen was seductive, cleverly motivating the male reaction to such a femme fatale. … …Her voice was well placed and a lovely mezzo quality. …"

De Falla's Siete Canciones

WBOQ (Gloucester, MA)

"…In her rich mezzo, Perri Montané sang Falla's "Siete Canciones" with scarlet tongues of fire. …"